
“I was particularly hostile towards fashion that wanted objects, including chairs, overloaded with technological or typological arrogance of design: I wanted to design the simplest chair possible, almost obvious, not an object that appears different at any cost. After careful analysis I saw that among modern chairs, Thonet are the ones that best embody the idea of an archetypal image, and so to define the character of my chair I decided to dialogue with this single example of an upper class piece, full of semantic and symbolic values.”